Two poems follow: "Apple Theft Protocol" and "Lundquist and Gunnar."
Convention #1 (Lundquist's Axiom)
The sweetness of
an apple stolen
exceeds that of
an apple boughten.
Convention #2 (Gunner's Axiom)
A dog at rest tends
to remain at rest
until baited by
a butcher bone.
Convention #3 (Neighborhood Kid's Axiom)
There never was an apple
that couldn't be culled;
there never was a bassett
that couldn't be gulled.
It
was a conspiracy against the apples
among
Gunnar, Lundquist and us.
A
silent conspiracy
based
upon the premise
of
the axiomatic truth
that
stolen fruit is sweetest.
Climbing
through the loose board pickets
surrounding
Lundquist's orchards,
we
would rush our pre-staked apple victims;
and
snatch them from their perches.
At
some pre-determined point, I'm sure,
of
our excited, panicky raid,
Lundquist
would loose his
hound
from hell, the intrepid
half-breed,
Gunnar.
I
was never privy to the conversation
that
passed from the man to the dog.
But
the years have persuaded
that
there was an exchange,
possibly
something like this:
!Âtp; "Stay
Goonar, stay. Da liddle one iss slow.
&ne Ð< &nbswA†ibsp; !Âtp; Ve
leddem ged gloser to da fence.'" And then,
!Âtp; &ne
Ð< &nbswA†ibsp;"Go
geddem Goonar, uff-da, uff-da.
&nbt
›!nbsp; <\Îesp; Bite
dem liddle rubbers in da pents."
Gunnar's
mother, an indifferent mount,
had
once tendered herself to a bassett.
(At
least a bassets had made the best effort).
Gunnar's
chassis reflected that bent
and
even a sidewalk presented
the
imminent threat of
becoming
high-centered.
With
his great ears a-flap and a grin full of teeth,
he
was up for the game and made straight for the thieves,
his
latter parts rebounding in the dust,
imparting
authentic menace to his yarping.
His
front legs somewhat assisted his rear
as
he dog-tracked into the orchard.
The
grass rose higher as he neared the pickets
and
surrounded by green he grumped in the grass
awaiting
a sound clue to guide his attack.
I
rattled the paper that wrapped the bone
and
watched as a tail approached, alone.
He
came to the fence and exacted his tribute,
huffed
a warning and waddled away
to
bury it deep with the others.
It
was a triumph for the common class
that
a mere mongrel could discern
the
fine line between
diplomacy
and duplicity.
(back to "Apple Theft Protocol")
It was a conspiracy against the apples
among Gunnar, Lundquist and us.
A mutually unspoken conspiracy
which balanced upon the premise
of the axiomatic truth
of sweetened, stolen fruit.
Climbing through the loose board pickets
surrounding Lundquist's orchards,
we would rush our pre-staked
apple victims and snatch
them from their perches.
At some pre-determined point, I'm sure,
of our excited, panicky flight,
Lundquist would loose his
hound from hell, the intrepid
half-breed, Gunnar.
I was never privy to thn conversation
that passed from the.man to the dog.
But the years have persuaded
that there was an exchange,
possibly s.omething like this:
"Stay Goonar, stay. Da liddle one iss slow.
Ve leddem ged "loser to da fence." And then,
"Go geddem Goonar, uff-da, uff-da.
Bite dem liddle rubbers in da pents."
Gunnar's mother, an indifferent mount,
had once tendered herself to a Bassett.
(At least a Bassett
had made the best effort).
Gunnar's chassis reflected that trend
and even a sidewalk presented
the constant threat
of becoming high-centered.
With his great ears a-flap
and a grin full of teeth,
he was up for the game
and made straight for the thieves,
his latter parts rebounding
in the dust, imparting
authentic menace to his yarping.
His front legs somewhat assisted his rear,
as he dog-tracked into the orchard.
The grass rose higher
as he neared the pickets
and surrounded hy green he
grumped in the grass awaiting
a sound clue to guide his attack.
I rattled the paper
that wrapped the bone
and watched as a tail
would approach, alone.
He came to the fence
and exacted the tribute,
huffed a warning and waddled away
to bury it deep with the others.
It was a triumph.for the common class
that a mere mongrel
could discern the fine line
between diplomacy and duplicity.
Ronald Manning 1-22-92
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Author: Carol Beck. Comments to author: cbeck@lattucadesigns.com
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